LIVING HERO

Interview with Riane Eisler

The Living Hero show is honored to present an interview with author, speaker, and thought leader Riane Eisler. She is recognized as one of the most original minds of our time, and has been included among the world’s 20 great thinkers and peacemakers. She is president of the Center for Partnership Studies and is best known for her international bestseller The Chalice and the Blade: Our History, Our Future. Riane holds degrees in sociology and law from the University of California Los Angeles (UCLA) and has done pioneering and transformative work in the fields of human rights and relations, history, sociology, economics, psychology, and education. She is the author of over 200 essays and articles and five books.

We talked about:

• The redistribution and redefinition of power • What is the real wealth of nations? • Political ironies and transformation • Playing economics with a full deck • The psychological underpinnings of domination and control • Gender relations and notions of male and female power • Is human nature fundamentally flawed? • Riane’s own path of transformation • The neurochemistry of pain and pleasure • Creativity as a force for leadership and change

Visit Riane Eisler’s websites at www.rianeeisler.com and The Center for Partnership Studies (partnershipway.org)

Enjoy the show and please add your comments! These interviews are presented in audio format only–sorry no transcripts at this time! You may download the mp3 file, which will play in iTunes, RealPlayer, Windows Media Player and other media players or listen to it right here by double clicking on the purple media player below. (The interview is 50 minutes)

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Interview with Scott Parsons

At an old-fashioned soda-pop style lunch counter in Bowman, North Dakota, I met Scott Parsons. He was eating pie in black, white and pink spandex with a smattering of corporate logos across his chest. After he had learned that his friend’s daughter Mikyla had been diagnosed with Rett syndrome, Scott quit his job as Western VP of Sales with Georgia Pacific to ride his bicycle from San Francisco to Boston to help raise money to fund medical research for Rett Syndrome.

Our conversation covers:

• Scott’s motivations to ride • Information on Rett syndrome and the hope of a cure • Highlights of the great American landscape • Impressions of the American people • The goals for the ride and beyond

Learn more about Scott, his trip, and the cause for which he’s riding at Mikyla-Cure.org

Enjoy the show and please add your comments! These interviews are presented in audio format only–sorry no transcripts at this time! You may download the mp3 file, which will play in iTunes, RealPlayer, Windows Media Player and other media players or listen to it right here by double clicking on the purple media player below. (The interview is about 25 minutes.)

Listen at your convenience! Use this link for download, not the one below the player. Download this episode (right click and save)

Instructions for Windows Right click on the link that says “Download this episode (right click and save)”. Click on “Save Target as”. The file will start downloading. A window will pop up and the name of the file will be filled in, as well as the file format. Just choose to save it to your desktop in the left bar.Then you will have an mp3 file sitting on your desktop. Right click on that and choose Open with: iTunes (or your chosen player). Or, alternatively, open iTunes and just drag the mp3 into iTunes.

Instructions for Mac Control click or right click on the link that says “Download this episode (right click and save)”. Either “Open with iTunes” to listen now or “Download link file as” and save to your desktop. Open with iTunes later or just drag the file into iTunes and play it whenever you like.

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Freedom or Power, What’s Your Will?

In our movement toward wholeness and maturity, perhaps the most fundamental challenge—and our goal—is the acceptance and embrace of our freedom. To live as sovereign individuals, so that our highest authority is our own sense of what is right, and knowing that we hold the wisdom to assess for ourselves the particulars of a situation, means that we fully trust ourselves and are willing to stand alone, if and when necessary.

Since creative people are so often ahead of their time, we must really know, as an experience deep in our bodies, that our assessments of relationships are right; and this deep, inner knowledge gives us the courage to be harbingers of what may one day also be discovered by the masses. Galileo knew he was right; Blake knew; Einstein knew; Walt Whitman . . . the great ones knew.

This type of innate knowledge comes through the experiences of intuition, inspiration, epiphany, and insight. These are spiritual experiences: understanding moves through you energetically, so that you see something and feel the rightness of it at the same time. This spirituality is fresh and personal; it exists apart from any particular theology or ideology.

Sadly, living without a personal spiritual connection to life and the freedom it supports is the grim lot of most people. Lives lacking a genuine, experiential spiritual foundation tend to oscillate between controlling others and being controlled. Without the spiritual ground of experience which is the very will of freedom, the prospect of freedom is just too much for people, and power is the woeful tether by which they aim to feel secure.

Erich Fromm’s Escape from Freedom explores the widespread aversion to freedom and persuades us that sadomasochistic tendencies underpin it. “It is always the inability to stand the aloneness of one’s individual self that leads to the drive to enter into a symbiotic relationship with someone else. It is evident from this why masochistic and sadistic trends are always blended with each other. Although on the surface they seem contradictions, they are essentially rooted in the same basic need. People are not sadistic or masochistic, but there is a constant oscillation between the active and the passive side of the symbiotic complex, so that it is often difficult to determine which side of it is operating at a given moment. In both cases individuality and freedom are lost.”

Later in his book, Fromm relates that these destructive tendencies to escape from freedom result from the thwarting of the individual’s sensuous, emotional, and intellectual expansiveness in childhood. These perversions are the torque our spirits take from the suppression of our exuberance, curiosity, and creative will in childhood and, which can continue all our lives. By continuing to suppress our natural tendencies to explore, move and stretch our bodies, imagine, try things out and invent, we perpetuate our pain and give rise to yet another generation of frustrated human beings stuck on a see-saw of power relations.

Here’s the remedy: reactivation of our creative and expressive pleasures goes straight to the root of perversions of spirit that we witness in our lives and our societies. Encouraging our children and each other to spend more time puttering and tinkering with things out of curiosity, creativity, and imaginative play, fostering our spiritual connection to life through observation, meditation, and the many means that help us to do this, and providing ourselves with the conditions for the experience of intuition, inspiration, epiphany and insight will all feed the hope of a new humanity that has the courage for real freedom.

jari psychology, insight, future, maturity, human potential, human development, culture, wisdom, philosophy, holistic, creativity, feeling, values, vision, freedom, power 5 Comments » | (1 ratings)  | Email it

                                    

Solitude and Solidarity: To Be Whole and Healthy, We Need ‘Em Both

To live your life as a creative artist, everything you do and experience is invested into vision, meaning and insight; and in this, there cannot be a separation between self, work and life.

Successful creation is a distillation of many hours of time alone just sponging things in and then processing them with the light of solitude on. Solitude, a word that comes from the Latin “solus,” is akin to the Greek word “holos,” signifying whole, entire. An artist comes to wholeness in and through solitude.

You’d be hard pressed to find an artist who isn’t poignantly aware of her existential aloneness, and yet, like anyone else, she lives in relationship. However, often, instead of social relationships, she relies upon deep, abiding relationships with the ineffable intimations of her gift. There’s a sense of partnership with the unseen–the muse, the unconscious, the universe–to get her work done.

And so the artist working in solitude is not really “alone.” She is having intense affairs with aspects of the self and with the numinous. Henry James once told the journalist Morton Fullerton that the “essential loneliness” of his life constituted his “deepest” aspect.

The quality of relationship with one’s own inner dynamics, which are nurtured in solitude, provide the conditions for creation. The feeling arises, when you are creating, that you are doing what you are meant to do and it is sustained by the experience of being touched by something larger– a communion experience that one simply cannot explain, but instead must honor and serve.

But there is a big difference between solitude and isolation. To balance long stretches of unbroken solitude, an artist, especially a developing one, needs like-minded others, people who understand the passion and process of a creative person and who support him in his efforts, who welcome him when he finally does come out from behind the closed door. It helps to have a peer group or, at the very least, one trusted fellow artist with whom to share both the work and one’s life.

Solidarity means unity among people, a shared sense of purpose and understanding of what matters–values, feelings, sensitivities about things, qualities of life. Solidarity is every bit as crucial to the health, balance and survival of the artist as is solitude.

Some artists must or perhaps choose to find their solidarity without real-time contact with peer artists, but instead, through the works of more distant artists. In the words of painter and art teacher Robert Henri, “If the artist is alive in you, you may meet Greco nearer than many people, also Plato, Shakespeare, the Greeks. In certain books–some way in the first few paragraphs you know that you have met a brother.”

T.S. Eliot states something similar about our solidarity: “A common inheritance and a common cause unite artists consciously or unconsciously: it must be admitted that the union is mostly unconscious. Between the true artists of any time there is, I believe, an unconscious community.”

I wonder, are these qualities, which are so obviously critical to the life of the artist, not important to the health, balance, development and well-being of everyone? What do you think?

I have been traveling alone since the end of March, and also living among artists with long days of solitude in my studio and cherished connections at shared meals and walks through the Illinois prairie. I have now relocated temporarily to Austin, TX and I have been exposed to a great deal of art and culture along the way!

Since that last week of March I have seen: The Homer and Hopper exhibitions at The Art Institute of Chicago; Laurie Anderson speak at the Museum of Contemporary Art, Chicago; The collections and current shows at The Milwaukee Art Museum; The current shows at the John Michael Kohler Arts Center in Sheboygan, Wisconsin; The Kohler factory tour; Columbia College Book & Paper Arts facilities and the M.F.A. show there; A lecture by G. Edward Griffin at the University of Texas; The On the Road show at the Harry Ranson Humanities Research Center in Austin; I was also invited to spend an overnight as an all-expenses-paid guest at one of the exclusive private Kohler clubs.

Ask me about any of these–I have many notes and an abundance of memories! And I am look forward to hearing from you!

jari psychology, creative arts, integrate, culture, holistic, creativity, values, art, solitude, solidarity, vision 1 Comment » | (1 ratings)  | Email it

                                    

Interview with Maria Nemeth: Seeing Life as a Hero’s Journey

It is my distinct pleasure and honor to present a conversation with author, coach, entrepreneur, speaker and process designer Maria Nemeth, Ph.D., MCC.

Maria is a heroic personality whose work actually centers around teaching and encouraging people to become heroes to themselves.

Our interview includes conversation about: ● The transcendent power of an open heart ● The story behind The Energy of Money ● Shifting your relationship with money ● Maria on Charlie Munger and Warren Buffett ● The distinction between physical and metaphysical reality ● The three most powerful words you can utter● Maria’s journey as a breast cancer survivor ●Taking your body to a couples counselor● The peduncle we’re in

Maria is a clinical psychologist with more than twenty-eight years’ experience, a former clinical professor in the Department of Psychiatry at the University of California-Davis School of Medicine, and a former columnist for the Sacramento Business Journal.

She is the founder of the Academy for Coaching Excellence where she trains other coaches in her program Mastering Life’s Energies, a personal and professional development seminar that supports people in shifting their relationship with money from scarcity to abundance. Her widely acclaimed work has recently been brought to the attention of a broader audience through an appearance on the Oprah Show.

Enjoy the show! You may download the mp3 file, which will play in iTunes, RealPlayer, Windows Media Player and other media players or listen to it right here by double clicking on the purple media player below. (The interview is about 45 minutes.)

Listen at your convenience! Use this link for download, not the one below the player. Download this episode (right click and save)

Instructions for Windows Right click on the link that says “Download this episode (right click and save)”. Click on “Save Target as”. The file will start downloading. A window will pop up and the name of the file will be filled in, as well as the file format. Just choose to save it to your desktop in the left bar.Then you will have an mp3 file sitting on your desktop. Right click on that and choose Open with: iTunes (or your chosen player). Or, alternatively, open iTunes and just drag the mp3 into iTunes.

Instructions for Mac Control click or right click on the link that says “Download this episode (right click and save)”. Either “Open with iTunes” to listen now or “Download link file as” and save to your desktop. Open with iTunes later or just drag the file into iTunes and play it whenever you like.

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Out of Chaos: Composition in Tranquility

I am writing to you from The Ragdale Foundation in Lake Forest, Illinois, a lovely northern suburb of Chicago. Ragdale is an artist residency program that grants support to working artists by providing work/live space and meals (the chef is great here!) so they can concentrate on creating new work.

Immersing myself again in the making of visual art has been healing, surprising, and nourishing. I’m here for a month with other visual artists, fiction writers, and poets. Many of those here since I got here on March 27th will be leaving on Wednesday, opening the space for another group of ten whom I’ll meet, since I will stay on until April 23rd. I’ve met Anne LeClaire, Debra Darvick, Lucy Ferriss, Larry Thomas, Johnny Horton, Anita Garza, Katie Rodrigues, Rone Shivers, Lori Kagan and Amy Walsh. . . I am honored to be in this fine company.

Places like Ragdale acknowledge the need for free time and space to simply BE, to allow oneself to enter a passive-receptive state, a state of quiet engagement and inquiry, which provides the prime conditions for insight, intuitive leaps, and breakthroughs in composition.

You know, all artists are composers: it’s all about composition.

The artist combines and arranges elements to produce a harmonious whole through non-analytical means; a piece of work that has a formal coherence is born of synthesis (as opposed to analysis), which includes both conscious and unconscious layers of experience and that reconciles, in a fresh and new way, the multivalent human experience. This happens through the artist’s own visceral and emotional powers of deduction, which are cultivated with practice, enabling something ordered and fixed to be born from the most general, encompassing and ineffable aspects of existence.

Whereas philosophers and scientists seek to encapsulate themes of the human universe and experience through mathematical equations and contextual theories; artists do so through their compositions. In any case, the construct is meant to stand in, reductively, for that which is overwhelming and mysterious, yet ever-present.

Composition provides a resting place for the viewer or listener, a place of contemplation, recollection, absorption. It can do so because it represents and displays a synthesis of the artist’s own many hours of reflection, self-confrontation, and composure.

Works of art thereby become highly fertile common ground for fresh perspectives and cultural progress, not as objects in and of themselves, but as catalysts for insight and understanding: the artwork is where the strange seeds of consciousness, of both artist and audience, meet and take root. This is perhaps why dictators and tyrants seek to either squelch or use the artists.

But in the complicit tyranny of our society, people have allowed themselves to become so busy and distracted that so much of art goes unperceived and thereby rendered impotent and inconsequential. Because even the greatest music, art, books, and dances are nothing if no one is sensitively and receptively listening, watching, reading, and engaging with them. Artist and audience are of equal importance to the enterprise of realizing art. It is vital to take the time to compose yourself and reflect on what is real, true, and beautiful in life; it’s crucial to civilization and human care.

jari consciousness, insight, human potential, culture, synthesis, creativity, creative, mind-body, values, art, composition 2 Comments » | (1 ratings)  | Email it

                                    

Are We In a Crisis of Faith?

The celebrated psychiatrist and author, Alexander Lowen, says that “the loss of faith is the key problem of modern man.” Are we in a crisis of faith? If we are, what are we supposed to do about it?

The astonishing scientific discoveries of the late 19th and 20th centuries have repeatedly shattered the ideological and theological constructs that guided human life for centuries. There’s no solid world out there anymore, no objective world; we now know the world only as we engage it; and so, as a people, we are unsure of ourselves and cynical about trusting or accurately evaluating anything.

In this sense, faith is an absolutely essential part of the life of an artist, a creative person, if his or her work is to successfully address the needs of our culture. But what kind of faith are we talking about here?

Notice the network of relationships among the words etymologically related to faith (from the Latin fides): fidelity, fealty, fiancé, fiduciary, confidant, confidence, defiant, diffidence, infidel, infidelity, perfidy, Fido.

A consideration of these words reveals that the issue of faith is one of trust; and trust is essentially tied to truth. You will trust an idea, a mode of being, an activity, a person, or life itself, if you trust its underlying reality and believe it to be true.

So, what is true for you? And how do you know it to be true?

If we are upset, bored, depressed or self-destructive, it is perhaps because we don’t know where to begin with ourselves, what to do. You can discover what to do by knowing what is sacred to you. So, the first move is to allow for more enthusiasm in our lives (from the Greek “en theus,” infused by God). Through genuine enthusiasm we find ourselves reeentering a state of grace, and of faith. In that state we don’t have to question what and who is sacred to us.

Now is the time to place greater trust in the truth of your own enthusiasm and to follow it with greater faith. You must keep faith with yourself now, to do what you feel enthusiastic about: what you set out to do in those finest hours when you know the energy in your mind and body is right. Have faith in the creative process and in the life force that pulses in you. Nurture it and draw upon it continuously.

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Chop Sui Generis

Our fingerprints and faces tell us we are each “sui generis,” (one-of-a-kind), although most of us were raised to conform to, and fit into, a social structure, rather than being encouraged to discover and display our distinctive gifts.

I often wonder about and imagine what a world of people brought up to shine as one-of-a-kind, creative expressions of humanity would be like. Each child would be approached with utter curiosity and a reverence for the unforeseen gifts they might bring to the family and society, their sui generis idiosyncracies nurtured by parents, teachers, leaders and the culture at large.

Would that sort of approach help to bring about whole and fulfilled people, people who felt unashamed, welcomed and appreciated as they truly are?

Most kids have jumping-for-joy natures, abounding life energies and strong emotions. Their unusual thoughts and insights, their self-love, love of pleasure, and love of life are considered, at best, adorable in the cute way, rather than the truly worthy-of-adoration way. They are asked, in so many ways, to conform to what’s expected of them, to apply themselves to finding their place (a.s.a.p.!) in the existing models, roles and structures.

How confusing to be asked to thwart one’s natural love of life to better plug into a system that is stressful, unhealthy and inhumane. Young people, whose heart-intelligence and innate compassion are still very much in tact, are one day treated to a movie about how sweet and wonderful penguins are and the next day informed of the destruction of the penguin habitat due to human profligacy.

When children object to such confusion, their sui generis assertion is often attacked or undermined. I recently witnessed a young boy of about seven with his mother in front of a fish counter at Whole Foods. I saw him looking up at her and overheard her say, dismissively, not willing to look back down to meet his eyes, “There are plenty of fish in the sea, Johnny; it’s perfectly fine for us to eat them.”

The point is not the fish here, the point is this boy’s heart and how his mother responded to his heart’s cry. And we wonder how the steep rise of childhood mental health disorders, and all the consequences associated with them, could be happening in such a wonderful place as the suburbs of the United States.

The erroneously attributed Chinese dish named Chop Suey is a bland, overcooked, and unpalatable dish of cheap and canned vegetables and water chestnuts held together with corn starch, invented in America and passed off as Chinese.

America turns its children into Chop Sui and the worry of America’s next generation is supposed to be that the Chinese will take it all away from us, this glorious way of life, this American Dream!

Yesterday, I watched the better part of a video conference dialogue between a large group of 9th graders at Arapahoe High School in Colorado and author Dan Pink (whom I interviewed on Feb 19th–see below). The kids had prepared questions and were given the chance to talk about the future with a bestselling author, speaking with them about the future from his home office, dressed in jeans and a sweatshirt. One of the students asked: what do you think it would take for school to be like this all the time?

In considering Dan Pink’s Six Senses from his book, A Whole New Mind: Design, Story, Symphony, Empathy, Play, and Meaning, I believe Empathy is the most important one to develop. The ability to feel what another is feeling, to meet other people where they live, so to speak–just imagine what a world this would be if empathy were an aptitude highly developed and prized in society at large!

Imagine how that value of tenderness and care would change the nature of the other senses and of the products and services that drive our economy. Just what are we putting ourselves in service to? What games are we playing? How are we making and interpreting meaning? How are we putting it all together? What’s the narrative about? What are we designing, and for what purposes? All our activity would be in service to a healthier way of life, in the presence of pervasive and abiding empathy. And, I would add, that true empathy is what makes it possible for the sui generis nature of each face, each individual living thing, to shine and be held dear.

Here’s the link to view that video conference, set up by educator Karl Fisch.

jari holistic health, consciousness, education, future, human potential, culture, a whole new mind, creativity, stress, parenting, conscience, feeling, mental health, values, empathy 3 Comments » | (3 ratings)  | Email it

                                    

Interview with Daniel Pink: A Whole New Mind at Work

Living Hero is pleased to present an interview with author and futurist Daniel Pink

• The increasing value of right brain skills and capacities • The global forces giving rise to A Whole New Mind • The one cognitive skill common among corporate star performers • Reckoning with unfulfillment • Dan’s own creative process and methods • The Adventures of Johnny Bunko

Enjoy the podcast! You may download the mp3 file, which will play in iTunes, RealPlayer, Windows Media Player and other media players or listen to it right here by double clicking on the purple media player below. (The interview is about 32 minutes.)

Listen at your convenience! Use this link for download, not the one below the player. Download this episode (right click and save)

Instructions for Windows Right click on the blue link that says “Download this episode (right click and save)”. Click on “Save Target as”. The file will start downloading. A window will pop up and the name of the file will be filled in, as well as the file format. Just choose to save it to your desktop in the left bar.Then you will have an mp3 file sitting on your desktop. Right click on that and choose Open with: iTunes (or your chosen player). Or, alternatively, open iTunes and just drag the mp3 into iTunes.

Instructions for Mac Control click or right click on the blue link that says “Download this episode (right click and save)”. Either “Open with iTunes” to listen now or “Download link file as” and save to your desktop. Open with iTunes later or just drag the file into iTunes and play it whenever you like.

Link to Dan Pink’s Feb 2005 Wired magazine article “Revenge of the Right Brain”

Click through to buy his books on Amazon right from this site in the sidebar to the left. Don’t miss them!